Gladiator Azmovies

 

 

Genres=Drama Director=Ridley Scott Description=Maximus is a powerful Roman general, loved by the people and the aging Emperor, Marcus Aurelius. Before his death, the Emperor chooses Maximus to be his heir over his own son, Commodus, and a power struggle leaves Maximus and his family condemned to death. The powerful general is unable to save his family, and his loss of will allows him to get captured and put into the Gladiator games until he dies. The only desire that fuels him now is the chance to rise to the top so that he will be able to look into the eyes of the man who will feel his revenge Oliver Reed release year=2000 Malta

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Skylminga c3 ber c3 a6llinn parts. Ridley Scott’s summer spectacle, which turns 20 this month, was lifted into prestige with a surprise Oscar haul, something that’s tainted its legacy Russell Crowe in Gladiator. Photograph: Allstar/Dreamworks/Sportsphoto Ltd/Allstar W hen Gladiator was released in early May 2000, there wasn’t much of an inkling that it would go on to win the Oscar for best picture, for the obvious reason that it was positioned as the first of the summer blockbusters, promoted less for its historical gravitas than its bloody combat in a digitally enhanced Colosseum. In retrospect, it shouldn’t have been a surprise that two and a half hours of speeches, montages and decadent pageantry would fit into a broadcast that’s an hour longer and slightly less violent. But the best picture designation has been an odd stain on Gladiator’s reputation over the years: a film that might have been remembered as a satisfying revenge spectacle instead looks like a second-rate prestige picture. Twenty years later, perhaps it’s time to take Gladiator back to its original framing, not as the spoiler to Steven Soderbergh’s unlikely coronation as a Hollywood director – his Erin Brockovich and Traffic were best picture nominees, and he won best director for the latter – but as a classed-up underdog sports movie, like a middle-period Rocky sequel in sandals and tunics. The palace intrigue that follows the death of the Roman emperor Marcus Aurelius may give the film a certain amount of sophistication, as do the performances by Russell Crowe, Joaquin Phoenix and Connie Nielsen, who all make excellent and multi-layered contributions. Yet this is essentially about an undersized warrior gutting his way to a title bout – all else seems like window-dressing by comparison. The competitive arc of Gladiator is Rocky III leading into Rocky IV. It’s about our hero first belting his way through a colorful array of opponents – barrel-chested goons, armor-plated archers on chariots, man-eating tigers emerging from the arena floor – before finally battling the villain on hostile turf and turning the home crowd to his favor, against the will of a brutal authoritarian government. Again, this is not a mark against the film, because it’s mostly rousing on these terms, boosted by a Roman succession plot that plays one man’s epic revenge quest to the highest of stakes. But the argument that the film is any deeper than the red-meat savagery it delivers doesn’t hold up under scrutiny. It’s a terrific summer movie, and one of the new century’s least deserving best picture winners. Joaquin Phoenix, Connie Nielsen, Djimon Hounsou and Russell Crowe at the Gladiator premiere. Photograph: Fred Prouser/Reuters For director Ridley Scott, it started a run of enervating historical action-dramas that included Kingdom of Heaven, Robin Hood and Exodus: Gods and Kings, none of which had the same propulsive kick. The benefit of Crowe’s Oscar-winning lead performance – and a script (by David Franzoni, John Logan and William Nicholson) that was geared around it – is that he makes it impossible to get lost in the hectic atmosphere Scott conjures here from hundreds of extras, digital landscapes and assorted period bric-a-brac. There’s a lot to draw the eye away from the central action in Scott’s films – Orlando Bloom, for example, doesn’t have the presence to draw focus in Kingdom of Heaven – but Crowe’s General Maximus Decimus Meridius has a simple and well-defined mission, and the actor plays it as righteous as a sword plunged straight to the hilt. Contrasting the scorched earth of Germania, where Maximus leads his men in one final push against the barbarians (“At my signal, unleash hell! ”), with the golden fields of home, where his wife and son await after his years away, Gladiator begins with a patriot’s humble request. In exchange for his service to the empire, he wants a little time off – those fields ain’t gonna harvest themselves, you know? But he gets caught up in circumstances beyond his control: the dying Marcus Aurelius (Richard Harris) wants him as a placeholder to boost the senate and lead Rome toward democratic rule. But that means passing over his vile, sadistic failson, Commodus (Phoenix), who craves the unfettered power of an emperor and unnaturally shortens his father’s life to get it. Commodus condemns Maximus to a quiet execution in the forest, orders his family murdered and sets about engineering the dissolution of the senate and a comprehensive quashing of dissent. Connie Nielsen and Joaquin Phoenix in Gladiator. Photograph: Allstar/Dreamworks When Maximus is picked up by slavers in Zucchabar, a Roman city that would now be in Algeria, and he’s forced to battle to the death alongside other gladiators – first in local events and later in the Colosseum, where he becomes a sensation. The fun irony is that the feckless Commodus has brought the gladiators to Rome as a bread-and-circuses initiative to distract the great unwashed while he seizes total authority over the empire. Now with Maximus besting all comers in front of lusty boobirds turned super-fans, chanting his name like the Soviets rooting for Rocky, Commodus’s hold on the throne is becoming more tenuous. Phoenix is a wonderfully hissable villain as Commodus, a legacy brat who understands his own absence of nobility and honor as liberating qualities – like any good tyrant, he sees a clean conscience as a terrible obstacle to his ambition. But most of the behind-the-scenes complexity comes courtesy of Nielsen as Lucilla, Commodus’s sister and Maximus’s former lover, who acts with political expediency in order to survive, but asserts herself firmly in the shadows. Lucilla is a glimpse into what Gladiator might have been if its priorities were directed more toward the machinations of government rather than the machinations of separating a man’s limbs or head from the rest of his body. The action sequences in Gladiator dance right on the edge of coherence, which may have something to do with the difficulty of matching live-action with digital backdrops, but mostly falls in line with popular action directors like Michael Bay or Scott’s brother, Tony, who were favoring movement and viscera over the nuts-and-bolts of clear blocking. When Maximus is battling an undefeated chest-thumping hulk twice his size named Tigris and actual tigers appear in support, it becomes obvious that we’re being treated to a bread-and-circuses gorefest along with the Roman commoners. And once you come to that realization, Gladiator no longer seems like a bid for respectability. It had respectability imposed on it.

Film by Scott [2000] Gladiator, American historical epic film, released in 2000, that was directed by Ridley Scott and starred Russell Crowe. It won critical accolades, large audiences, and five Academy Awards. Russell Crowe in Gladiator (2000). ™ and © 1999 Universal Studios and Dreamworks LLC; photo, Jaap Buitendijk Britannica Quiz Character Analysis When did James T. Kirk graduate from Starfleet Academy? Gladiator takes place in ad 180 and is loosely based on historical figures. Roman forces, led by the general Maximus (Crowe), defeat Germanic tribes, bringing temporary peace to the Roman Empire. The emperor, Marcus Aurelius (played by Richard Harris), tells Maximus that he would like Maximus to succeed him upon his death and for Maximus to return power to the Senate, restoring the Roman Republic. However, when Marcus Aurelius tells his arrogant and unstable son Commodus ( Joaquin Phoenix) about the plan, Commodus flies into a rage and kills his father. Commodus becomes emperor and orders the death of Maximus and his family. Maximus escapes and rushes to his home in Spain, only to find his wife and son already dead and his house burned down. Maximus is then taken by a slave trader to North Africa, where he is sold to the gladiator trainer Proximo ( Oliver Reed). Proximo and his troupe know Maximus only as the Spaniard, and he soon becomes a top gladiator under that name. When Commodus decides to stage a gladiatorial spectacle in Rome, Proximo brings his gladiators to participate. In the first fight, intended as a battle reenactment, Maximus rallies the other gladiators and leads them to victory, to the delight of the crowd. He defeats the Roman champion in one-on-one combat and then reveals himself as Maximus. Commodus’s sister, Lucilla (Connie Nielson), and the senator Gracchus ( Derek Jacobi) agree to help Maximus escape to gather his army and depose Commodus, but Commodus discovers the plot. When Maximus attempts to make his escape, Roman praetorians kill Proximo and the other gladiators assisting him and recapture Maximus. Commodus declares that he will meet Maximus in single combat in the arena, but he first stabs Maximus to weaken him. In the arena, Maximus kills Commodus and then dies himself after ordering the reinstatement of Senator Gracchus and the restoration of republican rule. © Dreamworks Pictures/PRNewsFoto/AP Images The film, perhaps the first sword-and-sandals epic since the mid-1960s, revived an interest in making films about ancient history. Crowe gained a reputation for being difficult to work with during the making of the film but won plaudits and an Oscar for his performance. The unexpected death of actor Oliver Reed during the production of the movie necessitated both digital manipulation and drastic reworking of the script. Production notes and credits Director: Ridley Scott Music: Lisa Gerrard and Hans Zimmer Cast Russell Crowe (Maximus) Joaquin Phoenix (Commodus) Connie Nielsen (Lucilla) Oliver Reed (Proximo) Richard Harris (Marcus Aurelius) Derek Jacobi (Gracchus) Academy Award nominations (* denotes win) Picture* Lead actor* (Russell Crowe) Supporting actor (Joaquin Phoenix) Art direction Cinematography Costume design* Directing Editing Music Sound* Visual effects* Writing Patricia Bauer.

Skylminga c3 ber c3 a6llinn price. Skylminga c3 ber c3 a6llinn center. Yall did him dirty in the thumbnail ??????. Skylminga c3 ber c3 a6llinn plus. Skylminga c3 ber c3 a6llinn battery. Skylminga c3 ber c3 a6llinn 1. Maximus: I"m required to kill--so I kill. That"s enough. Proximo: That"s enough for the provinces, but not for Rome. A foolish choice in art direction casts a pall over Ridley Scott"s "Gladiator" that no swordplay can cut through. The film looks muddy, fuzzy and indistinct. Its colors are mud tones at the drab end of the palette, and it seems to have been filmed on grim and overcast days. This darkness and a lack of detail in the long shots helps obscure shabby special effects (the Colosseum in Rome looks like a model from a computer game), and the characters bring no cheer: They"re bitter, vengeful, depressed. By the end of this long film, I would have traded any given gladiatorial victory for just one shot of blue skies. (There are blue skies in the hero"s dreams of long-ago happiness, but that proves the point. ) The story line is " Rocky " on downers. The hero, a general from Spain named Maximus ( Russell Crowe), is a favorite of the dying emperor Marcus Aurelius ( Richard Harris). After Maximus defeats the barbarians, Marcus names him protector of Rome. But he is left for dead by Marcus" son, a bitter rival named Commodus (the name comes from the Latin for "convenient" and not what you"re thinking). After escaping and finding that his wife and son have been murdered, Maximus finds his way to the deserts of North Africa, where he is sold as a slave to Proximo (the late Oliver Reed), a manager of gladiators. When Commodus lifts his late father"s ban on gladiators in Rome, in an attempt to distract the people from hunger and plagues, Maximus slashes his way to the top, and the movie ends, of course, with the Big Fight. This same story could have been rousing entertainment; I have just revisited the wonderful " Raiders of the Lost Ark, " which is just as dimwitted but 12 times more fun. But "Gladiator" lacks joy. It employs depression as a substitute for personality, and believes that if the characters are bitter and morose enough, we won"t notice how dull they are. Commodus ( Joaquin Phoenix) is one of those spoiled, self-indulgent, petulant Roman emperors made famous in the age of great Roman epics, which ended with " Spartacus " (1960). Watching him in his snits, I recalled Peter Ustinov"s great Nero in "Quo Vadis" (1951), collecting his tears for posterity in tiny crystal vials. Commodus has unusual vices even for a Caesar; he wants to become the lover of his older sister Lucilla ( Connie Nielsen), whose son he is bringing up as his heir. The moral backbone of the story is easily mastered. Commodus wants to be a dictator, but is opposed by the senate, led by Gracchus ( Derek Jacobi). The senators want him to provide sewers for the city"s Greek district, where the plague is raging, but Commodus decides instead on a season of games. Proximo arrives with his seasoned gladiators from Africa, who prove nearly invincible and threaten the emperor"s popularity. The moral lesson: It is good when gladiators slaughter everyone in sight, and then turn over power to the politicians. The Colosseum productions play like professional wrestling. Events are staged to re-create famous battles, and after the visitors wipe out the home team, a puzzled Commodus tells his aide, "My history"s a little hazy--but shouldn"t the barbarians lose the battle of Carthage? " Later, an announcer literally addresses the crowd in these words: "Caesar is pleased to bring you the only undefeated champion in Roman history--the legendary Titus! " The battle sequences are a pale shadow of the lucidly choreographed swordplay in " Rob Roy " (1995); instead of moves we can follow and strategy we can appreciate, Scott goes for muddled closeups of fearsome but indistinct events. The crowd cheers, although those in the cheaper seats are impossible to see because of the murky special effects. When Maximus wins his first big fight, it"s up to Commodus to decide whether he will live or die. "Live! Live! " the fans chant, and Commodus, bowing to their will, signals with a "thumbs up. " This demonstrates that Commodus was not paying attention in Caesar School, since the practice at the Colosseum at that time was to close the thumb in the fist to signal life; an extended thumb meant death. Luckily, no one else in the Colosseum knows this, either. Crowe is efficient as Maximus: bearded, taciturn, brooding. His closest friend among the gladiators is played by Djimon Hounsou, who played the passionate slave in " Amistad. " Since protocol requires him to speak less than Maximus, he mostly looks ferocious, effectively. Nielsen shows the film"s most depth, as the sister. Phoenix is passable as Commodus, but a quirkier actor could have had more fun in the role. Old pros Harris, Jacobi and Reed are reliable; Scott does some fancy editing and a little digital work to fill the gaps left when Reed died during the production. "Gladiator" is being hailed by those with short memories as the equal of "Spartacus" and "Ben-Hur. " This is more like "Spartacus Lite. " Or dark. It"s only necessary to think back a few months, to Julie Taymor"s " Titus, " for a film set in ancient Rome that"s immeasurably better to look at. The visual accomplishment of "Titus" shames "Gladiator, " and its story is a whole heck of a lot better than the "Gladiator" screenplay, even if Shakespeare didn"t make his Titus the only undefeated champion in Roman history. Roger Ebert Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. In 1975, he won the Pulitzer Prize for distinguished criticism. Gladiator (2000) Rated R For Intense Graphic Combat 150 minutes about 21 hours ago 1 day 2 days ago.

Skylminga c3 ber c3 a6llinn for sale. Skylminga c3 ber c3 a6llinn 2016. To my husband, once a true gladiator. Skylminga c3 ber c3 a6llinn model. Gladiator has aged beautifully for a movie that"s almost 20 years old??. 3:22 Achilles using aim bot in 2000 BC... Skylminga c3 ber c3 a6llinn 2017. In what language is she singing. From Gladiator to Flabiator!??????????.

Skylminga c3 ber c3 a6llinn vs. Robert Allman... lead cgi artist: Mill Film Ltd. (as Rob Allman) Hani AlYousif... compositor: Mill Film Ltd. (as Hani Alyousif) Marilyn Anderson... TA Manager: Mill Film Ltd. Scott Anderson... effects editor: Mill Film Ltd. Grahame Andrew... additional computer graphics: Mill Film Ltd. Laya Armian... accounts assistant: Mill Film Ltd. Nicholas Atkinson... editorial assistant: Mill Film Ltd. Steve Barnes... filmout operator: Mill Film Ltd. Ali Bernard... technical assistant: Mill Film Ltd. Philip Borg... computer graphics artist: Mill Film Ltd. (as Phil Borg) Jonathan Brazier... systems support: Mill Film Ltd. Will Broadbent... Nicola Brodie... computer graphics artist: Mill Film Ltd. Tim Burke... visual effects supervisor: Mill Film Ltd. Kevin Campbell... additional software development: Mill Film Ltd. Tim Caplan... I/O supervisor: Mill Film Ltd. Klaudija Cermak... compositor: Mill Film Ltd. Mike Connolly... Colin Coull... color timer: Mill Film Ltd. Jim Crowther... grip operator: Mill Film Ltd. Huong Dam... digital preparation: Mill Film Ltd. Steve Davis... gaffer: Mill Film Ltd. Dave Early... digital matte painter: Mill Film Ltd. Paul Edwards... visual effects assistant coordinator: Mill Film Ltd. Stephen Elson... John Frith... Caspar Gordon... digital mix & overlay: Mill Film Ltd. David Gregory... systems support: Mill Film Ltd. (as Dr. David Gregory) Steven Hall... visual effects camera operator: Mill Film Ltd. John Hardwick... Rob Harvey... Charley Henley... Lorea Hoye... visual effects coordinator: Mill Film Ltd. Neil Hughes... production accountant: Mill Film Ltd. Laurent Hugueniot... cg supervisor: Mill Film Ltd. (as Laurent Huguenolt) Diana Stulic Ibanez... production coordinator: USA, Mill Film Ltd. (as Diana Stulic) Michael Illingworth... Ilyas Kaduji... motion capture coordinator Pat Killeen... rigger: Mill Film Ltd. Andy Kind... lead CGI artist: Mill Film Ltd. Louise Lattimore... Joyce Laurent... Alison Leaf... additional computer graphics: Mill Film David Lomax... software development lead: Mill Film Ltd. (as Dave Lomax) Charlie Lovett... pre-viz CG artist David Matches... visual effects camera assistant: Mill Film Ltd. Ivor Middleton... Kevin Modeste... Michele Moen... Ben Morris... lead cgi artist: Mill Film Ltd. Steve Murgatroyd... John Nelson... visual effects supervisor Digna Nigoumi... studio effects shoot assistant: Mill Film Ltd. Emma Norton... Steve Parsons... Aaron Paul... production runner: Mill Film Ltd. Craig Penn... Nikki Penny... visual effects producer: Mill Film Ltd. Ian Plumb... Leigh Raby... Sandra Roach... Richard Roberts... John Schoonraad... prosthetic designer Bill Schultz... chief of technology: Mill Film Ltd. Wesley Sewell... visual effects editor Chris Shaw... Robin Shenfield... executive producer: Mill Film Ltd. Dominic Sidoli... production assistant: Mill Film Ltd. (as Dom Sidoli) Nancy St. John... production executive: Mill Film Ltd. Simon Stanley-Clamp... John Strauss... additional software development lead: Mill Film Ltd. Helen Varty... visual effects coordinator Jimmy Weedon... additional visual effects editing: Mill Film Ltd. Gabriel White... Simon Wicker... Malcolm Woolridge... studio effects shoot cameraman: Mill Film Ltd. Tim Zaccheo... Maria Antoniv... digital effects (uncredited) Robin Aristorenas... digital effects: battle scene (uncredited) Dan Ashton... scanning and recording (uncredited) John Attard... digital effects artist (uncredited) Rob Blue... digital artist: main title (uncredited) Damien Cheetham... post production engineer (uncredited) Gregory Creaser... imaging/timing supervisor: Digiscope (uncredited) Paul Davies... assistant colourist (uncredited) Danny Gagatt... rotoscoping (uncredited) Metin Güngör... digital artist: mill film (uncredited) R. A. Haupt... visual effects artist (uncredited) Sean Hince... motion capture technician (uncredited) Mark L. Holmes... motion tracker (uncredited) Simon Hughes... scanning and recording operator (uncredited) Andrew Hutchinson... Brendan Lonergan... principal armour sculptor (uncredited) Ray Moody... motion control (uncredited) Clare Norman... scanning and recording editorial coordinator (uncredited) Duncan Robson... motion capture: Audiomotion Ltd. (uncredited) Todd Sarsfield... Steve Street... CG artist (uncredited) Ben White... lead cgi artist: Mill Film Ltd. (uncredited).

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A man robbed of his name and his dignity strives to win them back and gain the freedom of his people in this epic historical drama from director Ridley Scott. In the year 180 the death of emperor Marcus Aurelius (Richard Harris) throws the Roman Empire into chaos. Maximus (Russell Crowe) is one of the Roman army"s most capable and trusted generals and a key advisor to the emperor. As Marcus" devious son Commodus (Joaquin Phoenix) ascends to the throne Maximus is set to be executed. He escapes but is captured by slave traders. Renamed Spaniard and forced to become a gladiator Maximus must battle to the death with other men for the amusement of paying audiences. His battle skills serve him well and he becomes one of the most famous and admired men to fight in the Colosseum. Determined to avenge himself against the man who took away his freedom and laid waste to his family Maximus believes that he can use his fame and skill in the ring to avenge the loss of his family and former glory. As the gladiator begins to challenge his rule Commodus decides to put his own fighting mettle to the test by squaring off with Maximus in a battle to the death. Gladiator also features Derek Jacobi Connie Nielsen Djimon Hounsou and Oliver Reed who died of a heart attack midway through production.

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